A wide variety of performance opportunities await our students each year, with orchestras, bands, choirs and opera, jazz nonets and combos, small ensembles, and more.
A variety of programs and initiatives operate continuously or annually to enhance learning experiences and help students prepare for their future in music.
The MSU College of Music supports and challenges students, values innovation and creativity, and helps every community member achieve professional excellence.
After MSU: Ph.D. student in music theory, Eastman School of Music
In the music theory Master’s program at MSU: 2019 to 2021
Before MSU: Wilfrid Laurier University, Bachelor in Music Theory and History (2015-2019)
Publications
Kulothparan, Hanisha. Forthcoming. “Storytelling and Meter in clipping.’s ‘story 2’.” In Modelling Musical Analysis, edited by Kim Loeffert and John Peterson. *Full book manuscript is estimated to be published in 2024.
Gatdula, Anna Beatrice, Clifton Boyd, Heyonjin Park, Carlo Aguilar González, Sinem Eylem Arslan, Hanisha Kulothparan, Gerardo (Gerry) Lopez, Brian Veasna Sengdala and Renata Yazzie. 2022. “Working Collectively: Thoughts toward a Better Music Studies from the Project Spectrum Graduate Student Committee.” American Music 40 (4): 444-452.
Conference Presentations:
“The Hero’s Introduction: Topic and Intercultural Trope in Kollywood Film Music”
“’The importance of body language’: Musical Topics and Queerness in Disney’s The Little Mermaid
“Centering Meter, Provincializing the West: Towards a Diversified and Inclusive Music Theory Curriculum”
“Flow in the Alter Egos of Nicki Minaj”
“Webern’s Influence on Barbara Pentland’s Symphony for Ten Parts”
“Metric Stability and Instability in Maurice Ravel’s Piano Music.”
Awards
2022 TSMT Colvin Award for Best Student Paper
2021 MTSE Irna Priore Prize for Best Student Paper
Guest Lectures
Workshop Participation:
“Prokofiev in Context: Views from East and West” with Inessa Bazayev, Music Theory Southeast Graduate Student Workshop (Virtual, 2021)
“Music and the Musicalized Moving Image” with Anna Gawboy, Society for Music Theory Graduate Student Workshop (Virtual, 2020)
“Why Can’t We Have Passing Tones (and Other Familiar ‘Tonal’ Categories) in Atonal Music?” with Michael Buchler, University of Arizona Graduate Student Music Conference (Tucson, AZ, 2019)
“Twentieth-Century Music in Analysis and Performance: Contexts and Experiments,” with Daphne Leong, Society for Music Theory National Conference (Columbus, OH, 2019)